Contemporary Art Portfolio

Dream Factory

¥30,000

Sold Out

Signed editioned lithograph
(Edition of 10), 2025
39.5 cm x 27.3 cm

Stone lithography with oil crayon on Arches paper
Printed at Bigakko Art College, Jimbocho, Tokyo

Mechanical Head

¥50,000

Signed lithograph
(Edition of 10), 2025
76.5 cm x 57 cm

Stone lithography with oil crayon on Arches paper
Printed at Bigakko Art College, Jimbocho, Tokyo

Probe

¥20,000

Signed lithograph
(Edition of 9), 2025

Stone lithograph using laser-toner transfer process on Arches paper
Printed at Bigakko Art College, Jimbocho, Tokyo

Mass Media Production (Blue)

¥30,000

Signed lithograph
(Edition of 8 in two colourways), 2025
38.4 cm x 28.3 cm

Collage to photosensitized aluminum plate, hand printed on Arches paper
Printed at Bigakko Art College, Jimbocho, Tokyo

Mass Media Production (Two Tone)

¥40,000

Signed lithograph
(Edition of 8 in two colourways), 2025
38.4 cm x 28.3 cm

Collage to photosensitized aluminum plate, hand printed on Arches paper
Printed at Bigakko Art College, Jimbocho, Tokyo

How Many Followers Do You Have? (Pink Background)

¥70,000

Signed lithograph
(Edition of 8, in two colourways), 2026
57 cm x 38.4 cm

Hand printed from multiple layered photosensitized aluminum plates, lithograph on Arches paper
Printed at Bigakko Art College, Jimbocho, Tokyo

How Many Followers Do You Have? (Yellow Background)

¥70,000

FAQ

How do you ship the artwork?

Prints are carefully packed and rolled in strong tubing. We ship with Yamato locally, and DHL for worldwide orders.

Are the prints already framed?

None of the prints are framed.

Is there a certificate of authenticity?

Yes, included will be an artist signed and dated certificate of authenticity.

I have more questions, how can I get in contact?

Please use the contact form here.

About

A British artist and former professional programmer, Alexander Ogilvie has spent the past two decades living and working in Japan, where his practice has evolved at the intersection of technology, society, and visual culture. He holds a degree in Multimedia Technology and Design from the University of Kent, a background that continues to inform his interdisciplinary approach and fluency across both technical and creative fields.

Strongly influenced by the work of Eduardo Paolozzi, he shares Paolozzi's fascination with the language of machines, mass media, and technological imagination. His work often reflects a similar spirit of synthesis—merging historical references, contemporary technological anxieties, and speculative futures.

His process is hybrid by design. He develops custom code, experiments with open-source AI models, and treats programming itself as both a conceptual tool and a material. These digital explorations are combined with traditional art production techniques, including printmaking and analog image construction, creating works that move fluidly between the virtual and the physical.

Through this interdisciplinary practice, he investigates how technology mediates belief, communication, and power—questioning not only what tools do, but how they reshape the stories societies tell about themselves.